![]() ![]() There are loads of useful effects in here, from Orson Welles and Darth Vader at one extreme to instant sex changes and cartoon characters at the other. You can link the two controls for quick changes, or vary them separately for more bizarre results. Both controls have separate Fine Tune knobs that operate over a +/‑50 cent range to fill in the gaps between the semitones. The Transpose section not only lets you shift the pitch of your monophonic melody up or down in semitone intervals over a +/‑ 2 octave range, but also has formant shifting as well, to change the apparent sex of the singer. However, I doubt that most people will be buying Voice Tweaker solely for pitch correction, since it has a lot more tricks up its sleeve when it comes to sonic manipulation. The basic pitch correction works well, but is not up to the standard of Auto‑Tune, producing some rather grainy background artefacts on exposed sounds like vocals. ![]() Usefully, the notes available in the current scale are shown in a graphic 1‑octave keyboard. Along with a drop‑down key selection, I also counted 64 different scale options in the drop‑down list, including Balinese and Gypsy. A Deviation meter calibrated from +100 to ≡10 cents shows how much correction is being applied. There is a Correction section, which acts much like the automatic mode of Antares' Auto‑Tune, with control over Glide (time in milliseconds to glide to correct note) and Liveliness (amount of nuances left from original signal). The Voice Tweaker is intended for those who like pitch correction with a little more spice. Robert Bielik Consulting (RBC) sell their Voice Tweaker solely through the Internet, at the bargain price of $59 (about £37). Not all professional‑quality plug‑ins are developed by large commercial organisations.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |